BOOKS

2018

On Kathy Acker and Preserving Artistic Legacy, Chris Kraus, Sleek Magazine, August issue

2017

Radical Gotham: Anarchism in New York City, edited by Tom Goyens, U of Illinois Press, pg 204-5

2016

A Book about Colab (& Related Activities), Printed Matter, 2016

Reproduction and Non-Reproduction, Joseph Nechvatal, D/Railed Art Magazine, pg 23-24

2013

Hold it Against Me: Difficulty and Emotion in Contemporary Art, Jennifer Doyle, Duke U, pg 160

Age of Wonder Catalog, Dewitt Chang, Nov. 2011, pgs 22-23 2012 2013

On Edge, Performance at the End of the 20th Century, C Carr, Wesleyan Press, pgs 79-80

2012

The Gentrification of the Mind, Sarah Schulman, U of CA Press, pgs. 86-89

Kurzfilmtage, Mark Morrisroe and NY Underground Filmmaking, Aline Juchler, pgs 167-172

2009

Canyon Cinema: The Life and Times of an Independent Film Distributor, Scott MacDonald, pgs 220-222

2006

self /cell, A collaborative book of poems and images with Olivia Sears, Spider Woman Press

The Downtown Book: The New York Art Scene, 1974–1984, Carlo McCormick, Princeton U Press

2005

This is Called Moving, “Word of Mouth," reprinted by Abigail Child, University of Alabama

2004

Captured: a Film/Video History of the Lower East Side, Clayton Patterson, NYU Press

2003

Split at the Root, “Narrative Collapse in Abortion Jurisprudence”, Linda Myrsiades, Cultural Studies 16(3), pgs 365-400

2001

Consumption: Critical Concepts in the Social Sciences, Daniel Miller, Routledge Press, pgs 287-288

2000

The Art of the X-Files, A Lookout Book, Harper Prism

States of Emergency, Patricia Zimmermann, U of Minnesota, 2000, pgs 149-5

1998-1999

Feminism and Documentary, Diane Waldman, U of Minnesota Press, pgs 78, 361

A Critical Cinema 3, Scott MacDonald, Interviews with Independent Filmmakers, UC of CA Press

Video Haptics & Erotics, Laura U Marks, Screen, pgs 331-338

The Visible Woman: Imaging Technologies, Gender, and Science. Paula A. Treichler, Lisa Cartwright, and Constance Penley, eds. New York: New York University Press

Fetal Subjects, Feminist Positions, edited by Lynn Marie Morgan, Meredith W. Michaels, U of Penn, pg 252,

Art, Activism, and Oppositionality: Essays from Afterimage, by Grant Kester, Duke University Press

1996-1997

Sex and Death and Shock and Schlock: Lippard, Lucy,“Post-modern Perspectives: 1996-1997

Issues in Contemporary Art. Ed. Howard Risatti, Englewood Cliffs, NJ, 77-80

Resolutions, Contemporary Video Practices, Michael Renov and Erika Suderburg, eds. Fetal Tissue, Patricia Zimmermann

1989-1993

Fetal Exposures: Abortion Politics and the Optics of Allusion, Camera Obscura, Valerie Hartouni

1984-1988

ABC No Rio Diner, edited by Alan Moore and Marc Miller, pgs. 57-63